A “Desperate Vitality”. Tableaux Vivants in the Work of Pasolini and Ontani (1963–74)
1. fig. 1 Mecugni
Subject | Luigi Ontani, La caduta dei ciechi d’après Brueghel, 1970–71. Cesare Bastelli photographer. B/W slide projections. Courtesy of the artist. ©Luigi Ontani, photos by the author. |
Type | Research Instrument |
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2. fig. 2 Mecugni
Subject | The tableau vivant of Rosso Fiorentino’s Deposition in Pier Paolo Pasolini’s La ricotta, still from RoGoPaG (Arco Film, 1963). |
Type | Research Instrument |
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3. fig. 3 Mecugni
Subject | The tableau vivant of Pontormo’s Deposition in Pier Paolo Pasolini’s La ricotta, still from RoGoPaG (Arco Film, 1963). |
Type | Research Instrument |
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4. fig. 4 Mecugni
Subject | Frame from Luigi Ontani’s Favola impropriata, 1970–71. Color video, STS Studio, Rome. Courtesy Galleria Civica d’Arte Moderna, Turin. ©Luigi Ontani, photo by the author. |
Type | Research Instrument |
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5. fig. 5 Mecugni
Subject | Stage set photograph of the tableau vivant of Pontormo’s Deposition in La ricotta. |
Type | Research Instrument |
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6. fig. 6 Mecugni
Subject | Close-up of the actor holding the figure of Christ from behind, in the sequence of the tableau vivant of Pontormo’s Deposition in Pier Paolo Pasolini’s La ricotta, still from RoGoPaG (Arco Film, 1963). |
Type | Research Instrument |
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7. fig. 7 Mecugni
Subject | Luigi Ontani, Ecce Homo d’après Guido Reni, c. 1972. Cesare Bastelli photographer. C-Print, 44,5 x 69 cm. Private collection, Modena. ©Luigi Ontani. |
Type | Research Instrument |
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8. fig. 8 Mecugni
Subject | Luigi Ontani, San Sebastiano nel bosco di Calvenzano (d’après Guido Reni), c. 1970. Giorgio Gramantieri photographer. C-print, 100 x 70 cm. Collection Fabio Sargentini, Rome. ©Luigi Ontani. |
Type | Research Instrument |
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